MAPPED PROJECTION + DOME ARCHITECTURE
In our time, planetariums are identified through its structural form and default technological instruments in projecting mapped perspectives through a dome-shaped container. Imagery projections from an under-dome structure have been a default programme for planetarium developments, thereby leaving the science of astronomy to the technological advancement of equipments.
Through technology progression and architectural evolution, one must explore new ideas, new forms, new programmes, and new applications to imagine how one can participate in the study of science through architecture. How can we experience the study of space through architecture?
PARTICIPATE, NOT SPECULATE
A standard planetarium typology requires an empty structure with a concaved roof layer and a mapped projection of images to capture the science of space. The aim of this proposal is to create a planetarium where users of the building will be catered to experience its surrounding architectural elements through space, volume and form – rather than being observers to mapped perspectives.
Taken from the properties of planetary movement, density, volume, history and interstellar theories, ARCHXIS is observed as an experiential planetarium by transforming the standard typology of projection through sensory design of architectural spaces. This proposal experiments the input of electro chromic glass in designing sensory architecture.
THE INTERGALACTIC EXPERIENCE
To arouse a community’s reaction and interest, the site will be situated within a dense city urban block.
An outer shell cube structure which we’ll call ‘The Halo’ envelopes the entirety of the building. The design of the cube is measured exactly to 10,000 cubic meters – to envision the universe which consists of 10,000 galaxies.
Robust multi-layered levels coated with translucent hues of a ‘stardust’ trail welcome visitors to the development.
The colour of the facade components ranging from a mixture of colours including blue, violet, and red are extracted from the ‘stardust’ concept. As daylight passes through the structure, this cosmic trail changes hues during the duration of the day (or night) which leaves an infinite variety of colour changes similar to a cosmic experience.
By creating layers of components representing the galaxy, users can experience the different dimensions of space through different levels. Reflective textures and materials complete the experience through four different levels – which represents the components of a galaxy; which includes the nucleus, the bulge, the disk, and globular clusters.
These galaxy components are distributed to space exploration activities arranged within different levels of the development.
The first level is a social area to recollect ideas and stories about the existence of the earth’s surface – where visitors congregate and fuse through ‘Meet Aurora’ in a cubed programme. ‘Aurora’, the proposal’s concierge programme, welcomes visitors at the ground level with particle light maps similar to the effect of magnetic poles from the northern and southern hemispheres
The ‘Nucleus’ which is located at the second level is allotted for constellation and asteroids which are played within a series of concave and convex glass blades. This will be possible by means of creating images through electro chromic glass technology – which brings life to sensory architecture and experience. A row of full-height concaved glass panels charged with electro chromic technology called ‘space layers’ runs through the exhibition’s full length to let visitors experience the galaxies’ layered movements.
Located at the highest levels of the planetarium, an array of ‘gravity’ saucers’ float across the third and fourth levels. The ‘Bulge’ and the ‘Globular Clusters’ offers a floating experience and loss of gravity through the galaxy saucer pods. These circular-shaped lounge benches wrap around an electro chromatic floor surface. Textured with reflective surfaces, the concaved walls forms distort images, which create illusion and trickery to the visitors’ visual experience.
Breaking the norms of standard planetarium typologies, the ARCHXIS creates a plethora of boundless forms and interstellar experience for users of all ages.
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Eleven's competitions are the ideal arena for generating pro-active international think-tanks in a whole variety of contemporary hot topics and contexts: from social issues to environmental threats, new technologies, shifting urban landscapes, exotic ecological havens, product design, fashion and - why not - even outer space!
We love competitions because they are instrumental in highlighting emerging talent and starting design-led revolutions around the world.
Our challenges have had exhibitions in Europe and the USA, published in multiple international magazines such as the Architecture Review, the AJ, Dezeen, Archdaily and Designboom, and consistently win awards year after year.
AWARDS & ACHIEVEMENTS:
2015 - Our inaugural competition 'Cambodia' wins the 3rd place in Bustler’s ‘Top-10 Best Competitions of the Year' Awards, and Eleven is officially in business.
2016 - 'Moontopia' is featured as 7th in Bustler’s ‘Top-10 Best Competitions of the Year' Awards.
2017 - Eleven becomes the most popular competition portal in the world with a double-whammy placement two competitions - 'Rome' (winning 3rd place) and 'Planetarium' (arriving in 5th place) - being featured in the top-5 places in Bustler’s ‘Top-10 Best Competitions of the Year' Awards.2018 - Watch this space...
Andrew Maynard (Andrew Maynard Architects), Arthur Andersson (Andersson-Wise), Camillo Boano (The Bartlett, UCL), Christine Murray (Editor in Chief, Architectural Review), Elena Douvlou (Metropolitan University of Athens), Ingrid Bille (BilleByeSheid), Massimo Forese (+39 Architects), Mathilde Marengo (IAAC, Barcelona), Perry Hopper (Grimshaw), Shaun O'Rourke (BAC), Tom Kundig (Olson Kundig), Andrea Verenini (Editor, Eleven).
* This event was run in support of the Angkor Hospital for Children (AHC) charity.
Amy Frearson (Deputy Editor of Architecture, Dezeen), The Buckminster Fuller Institute (BFI), Carlos Arnaiz (CAZA), Chris White (BIG), Hasdai Westbrook (Editor, Impact Design Hub), John Barton (Dean of Architecture, Stanford University), Jonny McKenna (Metropolitan Workshop), Karen Nelson (Dean, BAC), Leon Roast (BIG), Lewis Knight (Gensler), Kristi Loui (Gensler), Matthew Mazzotta (MIT), NAP+P Architects (Winner of Cambodia 2015: consisting of members Natthapol Pongplanchai, Planin Chantalert, Porncharoen Orbanratmanee, Pratchaya Lertruck Sadee), Roger Hawkins (Hawkins/Brown), Trent Tesch (KPF), Andrea Verenini (Founder, Eleven).
* This event was run in support of the Project Night Night charity.
ASPECT Studios (Winners of San Francisco 2016), Alberto Villanueva Galindo (IDEA Architecture Office), The Buckminster Fuller Institute (BFI), Brent Sherwood (NASA), Christina Ciardullo (Carnegie Mellon University), Kriss J. Kennedy (NASA), Andrea Verenini (Founder, Eleven).
Alexander Walter (Editor, Archinect & Bustler), Jan Utzon (Utzon Associates Architects), Richard James MacCowan (Biomimicry Institute UK), Timothy McGee (LikoLab), Yaniv Peer (Exploration Architecture), Marko Brajovic (Atelier Marko Brajovic), Andrea Verenini (Founder, Eleven).
Patrik Schumacher (Director, Zaha Hadid Architects), Francesco Gatti (3Gatti), Francesco Lipari (OFL Architecture / Cityvision Magazine), Emanuel Jalbert (In Situ), Lorenzo Catena, Onorato di Manno and Andrea Tanci (SET Architects), Eloise Carr (Editor & Creative, Eleven), Andrea Verenini (Founder, Eleven).
Christina Ciardullo (Architectural Designer and Educator), Thomas Wang (Partner, Ennead Architects), Lars Lindberg Christensen (Head of Education and Public Outreach, ESO), Dan Goods (Artist in Residence, NASA JPL), Eric Hanson (Founder and Partner, xRez Studio), Jim Sweitzer (Astrophysicist and Museum Consultant), Stephen Dubois (Secretary, Middle Atlantic Planetarium Society), Charles Beichman (Executive Director, NASA Exoplanet Science Institute, Caltech / NASA JPL), Dennis Cohen (Creative Director and Experience Designer, Ralph Applebaum Associates), Eloise Carr (Editor & Creative, Eleven), Andrea Verenini (Founder, Eleven).
* This event was run in partnership with Christina Ciardullo and sponsored by the Middle Atlantic Planetarium Society (MAPS).
Abeer Seikaly (Architect & Cultural Designer), Narinder Sagoo (Partner, Fosters + Partners), Hakan Gürsu (Founder & CEO, Designnobis), Amro Callam (Executive Director, Architecture for Society), Karina Ashrapova (Winner, Eleven's Biomimicry Competition), Eloise Carr (Editor & Creative, Eleven) Andrea Verenini (Founder, Eleven).
* Poster graphics designed by Concept BRE.
Beks Ndlovu (CEO, African Bush Camps), Derek Solomon (Animal Behaviour and Communication Specialist/Author/Private Guide), Rob Janisch (Biomimicry and Genius of Nature Guru/Private Guide), Chris Browne (Owner, Fox Browne Creatives), Debra Fox (Owner, Fox Browne Creatives), Charlene Hewat (CEO, Environment Africa), Eloise Carr (Editor & Creative, Eleven), Andrea Verenini (Founder, Eleven).
* This event was run in partnership with African Bush Camps and also in support of their charity African Bush Camp Foundation.
Andrew Aldrin (Son of legendary astronaut Buzz Aldrin and Director of the Buzz Aldrin Space Institute), Alberto Villanueva Galindo (Architect and Academic, IDEA Architecture Office), Jessie Andjelic (Founding Partner of SPECTACLE and Head of Mars Studio at the University of Calgary), Marc Guberman (Team Leader of the Mars Habitat Project and Partner at Fosters + Partners), Stefano Boeri (Founding Partner, Stefano Boeri Architetti), SEArch Architects (Awarded first place in NASA’s 3D Printed Mars Habitat Challange), Vera Mulyani (CEO and Founder, Mars City Design), ZA Architects (Directors and Co-Founders Dmitry Zhuikov and Arina Agieieva), Monika Lipinska, Laura Olivier and Inci Ogun (Winners of Eleven's Moontopia Competition), Eloise Carr (Editor & Creative, Eleven), Andrea Verenini (Founder, Eleven).
* Competition friend: Mars City Design
Adam Vickers (Managing Director of Squareyard Landscape Architecture), Wayne Hemingway (Chairman at CABE and Founder of Hemingway Design), Max Farrell (Senior Partner at Farrells), Lisa Kinch (Associate Architect at Farrells and Lecturer at Manchester School of Architecture), Katy Lock (Policy Manager at Garden Cities and New Towns, Town and Country Planning Association), Steve Sheen (Housing Strategy and Partnerships Manager at Manchester City Council), Andrea Verenini (Founder, Eleven).
* This event is run in partnership with BETA Events, sponsored by Square Yard, and is part of the event BETA Housing 2018 (12 July, Manchester, UK).Malecon (Havana) Jury Team:
Peter Noever (Professor, Principle at No/Ever Design and original member of the 'Havana Project'), Wolf D. Prix (Professor, Principle/CEO at COOP HIMMELB(L)AU and original member of the 'Havana Project'), Theodore Hoerr (Founding Principal, Terrain Work), Paul Bulkeley (Design Director, Snug Architects), Carl Prusha (Professor, Director at CP Architects and original member of the 'Havana Project'), Carlos Arnaiz (Founding Partner, CAZA), Eloise Carr (Editor & Creative, Eleven), Andrea Verenini (Founder, Eleven).Plastic Worlds Jury Team:
Chris Precht (Founding Partner, Penda), Luca Maccarinelli (Associate, Spark* Architects), Michael Pawlyn (Founder, Exploration Architecture), Richard James MacCowan (Founder, Biomimicry UK), Safia Qureshi (CEO, CupClub), Shannon Royden-Turner (Founder, Actuality), Eloise Carr (Editor & Creative, Eleven), Andrea Verenini (Founder, Eleven).
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