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Marine debris and sea level rise are two manifestations of the same problem – an overreliance on inexpensive consumer good inputs has produced skyrocketing volumes of plastics, the production of which from petroleum contributes to rising greenhouse gas emissions. The inclusion of microplastics in everything from synthetic clothing fibers to cosmetics and toothpaste has yielded an irreversible rise in the volume of marine debris as well as the sea level.

Trashscape seeks to ameliorate this dual problem by proposing a hybrid industrial-educational site on the Reserve Channel in South Boston. We envision this project as a satellite campus of the Woods Hole Oceanographic Institute, albeit one where factories process marine debris, as both floatables and microplastics, into stackable cubes, and those cubes then generate a continually evolving landform. Through a targeted mounding strategy, this landform will serve as a protective barrier from the rising sea level and inevitable storm surges. We feel it is necessary, both physically and metaphorically, that the production cycle contributing to man-made climate change be used to battle its harmful byproducts.

This project draws its strength from a deep understanding of marine debris in both the Boston Harbor as well as oceans globally. Global marine trash statistics from the Ocean Conservancy, together with data on microplastic volumes from the Woods Hole Oceanographic Institute, provided an elucidating look into the extent of this phenomenon. We determined that at existing rates of plastics production, we could collect approximately 9,000 tons, or 10,000 cubic meters of trash, per year, within 500 nautical miles of the New England and Mid-Atlantic coast. This accounts for collection by hand on beaches, via small boat with a fine mesh net, and via cargo ship farther out into the ocean. Collectible items are primarily plastic bottles, beverage cans, plastic grocery bags, and other plastic packaging, though smaller items such as cigarette butts, wrappers, and bottle caps are likely to be captured as well.

These items, once collected and brought to the site via boat (specifically to the on-site dock), will be processed in a series of four active factories. We based our industrial process on that of recycling polystyrene and expanded polystyrene, which can be used to make items like picture frames. First, the trash is sorted by material and size. It is then washed and dried to remove any harmful pollutants or lingering pesticides. The items are then compressed, ground up, and pelletized. Once reduced to the smallest possible size, the trash particles are then densified into commodified cubes measuring approximately 1-meter x 1-meter x 0.5 meters tall. These cubes are either embedded into the ground as part of the mounding strategy or moved into temporary storage to be used later.

The post-industrial landscape we envision is therefore not one that merely remediates the bounded site to an acceptable degree, but one that recognizes our harmful effects to the natural environment and utilizes them as literal building blocks for a more sustainable future.

Eleven's competitions are the ideal arena for generating pro-active international think-tanks in a whole variety of contemporary hot topics and contexts: from social issues to environmental threats, new technologies, shifting urban landscapes, exotic ecological havens, product design, fashion and - why not - even outer space!

We love competitions because they are instrumental in highlighting emerging talent and starting design-led revolutions around the world.

Our challenges have had exhibitions in Europe and the USA,  published in multiple international magazines such as the Architecture Review, the AJ, Dezeen, Archdaily and Designboom, and consistently win awards year after year.

AWARDS & ACHIEVEMENTS:

2015 - Our inaugural competition 'Cambodia' wins the 3rd place in Bustler’s ‘Top-10 Best Competitions of the Year' Awards, and Eleven is officially in business.

2016 - 'Moontopia' is featured as 7th in Bustler’s ‘Top-10 Best Competitions of the Year' Awards.

2017 - Eleven becomes the most popular competition portal in the world with a double-whammy placement two competitions - 'Rome' (winning 3rd place) and 'Planetarium' (arriving in 5th place) - being featured in the top-5 places in Bustler’s ‘Top-10 Best Competitions of the Year' Awards.

2018 - Watch this space...

Cambodia 2015 Jury Team:

Andrew Maynard (Andrew Maynard Architects), Arthur Andersson (Andersson-Wise), Camillo Boano (The Bartlett, UCL), Christine Murray (Editor in Chief, Architectural Review), Elena Douvlou (Metropolitan University of Athens), Ingrid Bille (BilleByeSheid), Massimo Forese (+39 Architects), Mathilde Marengo (IAAC, Barcelona), Perry Hopper (Grimshaw), Shaun O'Rourke (BAC), Tom Kundig (Olson Kundig), Andrea Verenini (Editor, Eleven).

* This event was run in support of the Angkor Hospital for Children (AHC) charity.

San Francisco 2016 Jury Team:

Amy Frearson (Deputy Editor of Architecture, Dezeen), The Buckminster Fuller Institute (BFI), Carlos Arnaiz (CAZA), Chris White (BIG), Hasdai Westbrook (Editor, Impact Design Hub), John Barton (Dean of Architecture, Stanford University), Jonny McKenna (Metropolitan Workshop), Karen Nelson (Dean, BAC), Leon Roast (BIG), Lewis Knight (Gensler), Kristi Loui (Gensler), Matthew Mazzotta (MIT), NAP+P Architects (Winner of Cambodia 2015: consisting of members Natthapol Pongplanchai, Planin Chantalert, Porncharoen Orbanratmanee, Pratchaya Lertruck Sadee), Roger Hawkins (Hawkins/Brown), Trent Tesch (KPF), Andrea Verenini (Founder, Eleven).

* This event was run in support of the Project Night Night charity. 

Moontopia Jury Team:

ASPECT Studios (Winners of San Francisco 2016), Alberto Villanueva Galindo (IDEA Architecture Office), The Buckminster Fuller Institute (BFI), Brent Sherwood (NASA), Christina Ciardullo (Carnegie Mellon University), Kriss J. Kennedy (NASA), Andrea Verenini (Founder, Eleven).

Biomimicry Jury Team:

Alexander Walter (Editor, Archinect & Bustler), Jan Utzon (Utzon Associates Architects), Richard James MacCowan (Biomimicry Institute UK), Timothy McGee (LikoLab), Yaniv Peer (Exploration Architecture), Marko Brajovic (Atelier Marko Brajovic), Andrea Verenini (Founder, Eleven).

Rome 2017 Jury Team:

Patrik Schumacher (Director, Zaha Hadid Architects), Francesco Gatti (3Gatti), Francesco Lipari (OFL Architecture / Cityvision Magazine), Emanuel Jalbert (In Situ), Lorenzo Catena, Onorato di Manno and Andrea Tanci (SET Architects), Eloise Carr (Editor & Creative, Eleven), Andrea Verenini (Founder, Eleven).

Planetarium Jury Team:

Christina Ciardullo (Architectural Designer and Educator), Thomas Wang (Partner, Ennead Architects), Lars Lindberg Christensen (Head of Education and Public Outreach, ESO), Dan Goods (Artist in Residence, NASA JPL), Eric Hanson (Founder and Partner, xRez Studio), Jim Sweitzer (Astrophysicist and Museum Consultant), Stephen Dubois (Secretary, Middle Atlantic Planetarium Society), Charles Beichman (Executive Director, NASA Exoplanet Science Institute, Caltech / NASA JPL), Dennis Cohen (Creative Director and Experience Designer, Ralph Applebaum Associates),  Eloise Carr (Editor & Creative, Eleven), Andrea Verenini (Founder, Eleven).

* This event was run in partnership with Christina Ciardullo and sponsored by the Middle Atlantic Planetarium Society (MAPS)

Shelter 48 Jury Team:

Abeer Seikaly (Architect & Cultural Designer), Narinder Sagoo (Partner, Fosters + Partners), Hakan Gürsu (Founder & CEO, Designnobis), Amro Callam (Executive Director, Architecture for Society), Karina Ashrapova (Winner, Eleven's Biomimicry Competition), Eloise Carr (Editor & Creative, Eleven) Andrea Verenini (Founder, Eleven).

* Poster graphics designed by Concept BRE

Safari (Matobo, Zimbabwe 2017) Jury Team:

Beks Ndlovu (CEO, African Bush Camps), Derek Solomon (Animal Behaviour and Communication Specialist/Author/Private Guide), Rob Janisch (Biomimicry and Genius of Nature Guru/Private Guide), Chris Browne (Owner, Fox Browne Creatives), Debra Fox (Owner, Fox Browne Creatives), Charlene Hewat (CEO, Environment Africa), Eloise Carr (Editor & Creative, Eleven), Andrea Verenini (Founder, Eleven).

* This event was run in partnership with African Bush Camps and also in support of their charity African Bush Camp Foundation.

Marstopia Jury Team:

Andrew Aldrin (Son of legendary astronaut Buzz Aldrin and Director of the Buzz Aldrin Space Institute), Alberto Villanueva Galindo (Architect and Academic, IDEA Architecture Office), Jessie Andjelic (Founding Partner of SPECTACLE and Head of Mars Studio at the University of Calgary), Marc Guberman (Team Leader of the Mars Habitat Project and Partner at Fosters + Partners), Stefano Boeri (Founding Partner, Stefano Boeri Architetti), SEArch Architects (Awarded first place in NASA’s 3D Printed Mars Habitat Challange), Vera Mulyani (CEO and Founder, Mars City Design), ZA Architects (Directors and Co-Founders Dmitry Zhuikov and Arina Agieieva), Monika Lipinska, Laura Olivier and Inci Ogun (Winners of Eleven's Moontopia Competition), Eloise Carr (Editor & Creative, Eleven), Andrea Verenini (Founder, Eleven).

* Competition friend: Mars City Design

Macro to Micro Jury Team:

Adam Vickers (Managing Director of Squareyard Landscape Architecture), Wayne Hemingway (Chairman at CABE and Founder of Hemingway Design), Max Farrell (Senior Partner at Farrells), Lisa Kinch (Associate Architect at Farrells and Lecturer at Manchester School of Architecture), Katy Lock (Policy Manager at Garden Cities and New Towns, Town and Country Planning Association), Steve Sheen (Housing Strategy and Partnerships Manager at Manchester City Council), Andrea Verenini (Founder, Eleven).

* This event is run in partnership with BETA Events, sponsored by Square Yard, and is part of the event BETA Housing 2018 (12 July, Manchester, UK).

Malecon (Havana) Jury Team:

Peter Noever (Professor, Principle at No/Ever Design and original member of the 'Havana Project'), Wolf D. Prix (Professor, Principle/CEO at COOP HIMMELB(L)AU and original member of the 'Havana Project'), Theodore Hoerr (Founding Principal, Terrain Work), Paul Bulkeley (Design Director, Snug Architects), Carl Prusha (Professor, Director at CP Architects and original member of the 'Havana Project'), Carlos Arnaiz (Founding Partner, CAZA), Eloise Carr (Editor & Creative, Eleven), Andrea Verenini (Founder, Eleven).

Plastic Worlds Jury Team:

Chris Precht (Founding Partner, Penda), Luca Maccarinelli (Associate, Spark* Architects), Michael Pawlyn (Founder, Exploration Architecture), Richard James MacCowan (Founder, Biomimicry UK), Safia Qureshi (CEO, CupClub), Shannon Royden-Turner (Founder, Actuality), Eloise Carr (Editor & Creative, Eleven), Andrea Verenini (Founder, Eleven).

Sponsoring a competition is a great and fun way to not only support creative innovation and foster talent but also raise your profile and visibility. We offer a wide range of sponsorship packs tailored to fit all budgets and designed to maximise your global outreach.

If you like what we do, then why not inquire about how you could sponsor a competition today?  Contact us to find out more.